Showing posts with label Melanie Wilson. Show all posts
Showing posts with label Melanie Wilson. Show all posts

Wednesday, 30 June 2010

Forest Fringe 2010 Part 3: A Festival of Adventures

(James Baker, 30 Days to Space)

We like the unlikely places in which live performance can make a home for itself. The strange encounters you might discover in tiny rooms or on park benches, in grand cinemas and cramped video stores. We like the ways we find to look at the things around us in a different way.

These are projects that will take you somewhere unusual. Some of them are scattered across Edinburgh, others are hidden in corners of our own building. Some happen only once or twice, others are repeated throughout the day, and others are available whenever you want or need them. Come down to Forest Fringe and you can guarantee there’ll always be some miniature experience to be unravelled.

Regardless of where you’ll end up, all these events will begin at Forest Fringe. You’ll then be guided by us to wherever you need to be.

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DETAILS

every minute, always - Melanie Wilson & Abigail Conway
Monday 9 – Saturday 14 August, 4pm

every minute, always is a headphones performance taking place in the main auditorium of the Filmhouse cinema on Lothian road, created for two people to encounter together. From the intimate, low-lit vantage of the cinema seat, the participant is guided by the voice of the narrator into a rich and sonically transporting world of cinematic perspective.

PLEASE NOTE: This is a performance for pairs. You must register for this performance with another person.

Away Into the Night – Sarah Hopfinger
Monday 9 & Tuesday 10 August, 6pm & 8pm

Away Into The Night is a new performance that investigates the question: How do we say goodbye? For a small audience at a time, this personal and participatory piece asks us to remember in order to move forwards into an unknown future with hope.

Like You Were Before – Deborah Pearson
Monday 9 – Saturday 21 August (not 14), 10pm

Debbie will take you on a journey through time but she can only access her own time and she can only access it through a video. The video never changes, but she does. An intimate performance in Alphabet Video in Marchmont, Debbie’s old place of work.

DEDOMEGAMIX – Richard Dedomenici
Monday 9 – Saturday 21 August, all day

To commemorate the looming tenth anniversary of his leaving art school, Richard DeDomenici forensically reexamines the first decade of his creative output and draws some damning conclusions. In what is described both as a groundbreaking challenge to the existing Fringe venue status quo, and a pragmatic austerity measure, DeDomenici intends to perform DEDOMEGAMIX in a small portable tent, which he stubbornly refers to as a ‘Pop-Up Nomadic/Boutique Autonomous Microvenue’.

Jarideh - Tania El Khoury
Monday 9 – Friday 13 August, all day

A secret encounter and a suspicious one on one performance. It is inspired by both crime films and real events such as the Metropolitan Police’s terrorism awareness and operations made in the past by women fighters in the Lebanese resistance.

The Bench – Ant Hampton (Rotozaza) and Glen Neath
Monday 9 – Saturday 21 August, all day

In the same vein as Rotozaza’s internationally successful ‘autoteatro’ work, 'Etiquette', TheBench invites two audience / participators to respond to instructions given via headphones, but with some significant differences...- they are outside, on a bench and, they don't know each other.

30 Days to Space - James Baker
Monday 9 - Saturday 21, all day

I want to become an astronaut. I want to get to Space. Space (as defined by NASA) is 50 miles up from the Earth’s surface. That sounds doable. By climbing a 6ft ladder 1467 times each day for 30 continuous days I will eventually reach a height of 50 miles; space. Each climb of the 6ft ladder will be marked by drawing a chalk star onto the wall.

As if it were the last time: A subtlemob – Duncan Speakman
Friday 13 August, 7pm

'as if it were the last time' invites you to take part in a secret event this August.
You've seen the people freeze in train stations and the mass pillow fights, well this will be a more invisible experience, like walking through a film.

To take part in this event register in advance at http://subtlemob.com and you'll be invited to download an MP3 and turn up at a secret location to listen to the soundtrack at a specified time.

When We Meet Again (introduced as friends) - Me & The Machine
Monday 16 – Friday 20 August, all day (till 8pm)

When We Meet Again is a wearable film and a one to one sensorial performance featuring you, your invisible friend, a 3D soundtrack and an old forgotten dance, an ocean, a flavour and me. Video filmed from a first person perspective and played on video goggles replaces your point of view by that one of a film character.

This is just to Say – Hannah Walker
Monday 16 – Friday 20 August, 5pm & 9pm

This is just to say is… a conversation with poems in it. It’s about manipulation, Britishness, love and winning. This is just to say… is smudging its make-up, buying you bouquets and screening your calls. This is just to say… is an intimate audience piece set around a table. Pull up a chair and drink some wine.

It’s Like He’s Knocking – Leo Kay
Tuesday 17 & Wednesday 18 August, 6pm and Thursday 19 August, 4pm

A stripped back performance incorporating storytelling, dance theatre and afro Brazillian percussion, set in the intimacy of a bedsit. A collage of moments taken from the lives of three generations of men. Drink a toast to loved ones, bet on some cards and close your eyes to remember your past.

Audience capacity 12.

Friday, 26 February 2010

To infinity and beyond

So the Microfestivals are now properly go. This is both frightening and deliriously exciting.

Our first stop at BAC on the 2 & 3 April is now all but programmed. We have (deep breath):

Excited any? WHY YES WE ARE. YES WE ARE A BIT.

You can buy tickets here, which you should do soon because they are selling like the hottest of cakes and we'd love to see you all there.

Then it's going to be onwards to Glasgow, Swansea and Bristol but more on that later.

The future is bright. The future is actually quite busy...

Wednesday, 3 February 2010

Forest Fringe Microfestivals




Is this country a big place?

Put into context obviously not. It takes three days non stop to drive half way across Canada. And yet you could realistically sleep for almost two of those days and miss virtually nothing bar prairie. Travel from the West Midlands to South Wales in a couple of hours and you’re moving between two different worlds.

We’ve had plenty of time to think about these kind of questions as we’ve roamed up and down the country in the last few months. I’ve learnt new things. I’ve become more outraged by the cost of petrol. I’ve discovered how hard it is to be vegetarian at service stations. I’ve fostered a deep, ingrained mistrust of thetrainline.com.

The result of all of this is that we have a programme of Microfestivals for you – beginning in London in April and ending in Bristol in May.

Each will be a unique weekend of strange events, intimate encounters and performance installations. In each place one ticket will allow you to be a part of everything.

It goes like this:

In London on the 2 & 3 April we’ll be working with our long-time supporters BAC, using a dizzying array of spaces scattered across the beautiful Old Town Hall in Battersea.


In Glasgow on the 16 & 17 April we’ll be with The Arches in their epic subterranean maze of railway arches beneath Central Station.


In Swansea on the 24 & 25 April we’ll be sharing an unusual space with National Theatre Wales’ Assembly programme as part of their month of events in the city.


And Finally in Bristol on the 8 & 9 May we’ll be helping launch the brilliant Mayfest by taking over the whole of Bristol’s legendary Old Vic Theatre, from stages to workshops to backstage corridors and other hidden corners of the building.

In each of these locations we’ll be working with a mix of local companies and Forest Fringe artists from across the country. You’ll be able to see some of the most exciting events that we supported at the Edinburgh Festival last summer, and a collection of brand new pieces, many of which we hope will be journeying to Edinburgh with us this summer.

For each of the individual Microfestivals we’ll be announcing a full line-up of artists closer to the time but already we can tell you that featuring in the programme will be Melanie Wilson, Forced Entertainment’s Tim Etchells, Co-creator of the amazing Home Sweet Home Abigail Conway, the legendary Stoke Newington International Airport, Tinned Fingers, Action Hero, Search Party, Brian Lobel and Emma Benson as well as a host of incredible young artists such as Tania El Khoury, Peter McMaster and Swansea’s Shellshock Theatre. We’re also still programming more events for all the locations so if you’re an artist and you’re interested in being involved leave a comment below or get in touch via our website.

The Microfestivals will also see the launch of the Forest Fringe Travelling Sounds Library, an exciting new collaborative project bringing together a brilliantly diverse range of audio-pieces into an interactive library made from recycled hard back books and mp3 players. But more on this very, very soon…

So that’s it, basically.

Hopefully we’ll be coming somewhere near you. We’re stupidly excited by it all and we hope you will be too. As always, if you’ve got any thoughts or comments or questions – just leave them below and we promise we’ll get back to you.

Otherwise – bring on the spring.